Book IPsalm 13, 13 of 41

BackgroundProlonged distress, possibly an extended bout of illness or hostile pursuit.

Psalm 13: How Long, O LORD

To the choirmaster. A Psalm of David.

By Bea Zalel

Psalm 13

To the choirmaster. A Psalm of David.

  1. How long, O LORD? Will You forget me forever? How long will You hide Your face from me?
  2. How long must I wrestle in my soul, with sorrow in my heart each day? How long will my enemy dominate me?
  3. Consider me and respond, O LORD my God. Give light to my eyes, lest I sleep in death,
  4. lest my enemy say, "I have overcome him," and my foes rejoice when I fall.
  5. But I have trusted in Your loving devotion; my heart will rejoice in Your salvation.
  6. I will sing to the LORD, for He has been good to me.
Inline text: Berean Standard Bible (BSB), public domain.Read in: NIV, ESV, NLT, MSG

Theme

Psalm 13 is the shortest of the great laments and one of the most quoted prayers in Christian devotional tradition. Its six verses fall into a three-part structure that became something like a template for biblical lament: complaint in verses 1-2, petition in verses 3-4 and confession of trust in verses 5-6. The economy of the psalm is part of its power. David moves from raw protest to settled trust in the space of a few breaths, and the psalm refuses to smooth over the distance between those two postures.

The Hebrew is concentrated in a way English translations can flatten. The four repetitions of "ad-anah" ("how long") in verses 1-2 are the most concentrated expression of complaint in the entire Psalter. They pile up against God, against the self, against the enemy, and they are not rhetorical. The imperative in verse 3, "habitah", means literally "look at me." David is not only asking God to act, he is asking God to attend, to turn His face back. The sleep imagery here is worth holding next to Psalms 3 and 4, where sleep is the posture of faith. In Psalm 13 the same metaphor inverts: "lest I sleep the sleep of death." The Psalter does not assign metaphors fixed meanings. The same image bends to the situation of the one praying.

The turn in verse 5, "but I have trusted in Your steadfast love," arrives without explanation. Nothing in the circumstances has changed. Trust here is an act of will, not a feeling that has finally surfaced. The lament tradition this psalm carries reaches all the way into the New Testament's vision of the end. Revelation 6:10 puts this psalm's "how long" on the lips of Christian martyrs under the altar: "How long, O Lord, holy and true, until You judge those who dwell on the earth and avenge our blood?" That continuity matters for how Christians read Psalm 13. It models a movement Christian liturgy still depends on, complaint that does not end in despair but does not bypass itself to get to praise either.

Discussion questions

  1. What is the effect of hearing "ad-anah" ("how long") four times in the opening two verses, and why might the psalmist have stacked the question rather than asked it once?
  2. The Hebrew imperative "habitah" in verse 3 means "look at me," not just "act." What is the difference between asking God to do something and asking God to attend to you?
  3. How does the sleep imagery in Psalm 13 ("the sleep of death") relate to or invert the sleep imagery in Psalms 3 and 4, where sleep is a posture of faith?
  4. The psalm has three movements: complaint, petition and confession of trust. Why might this shape have been so durable as a pattern for later biblical and Christian prayer?
  5. Verse 5 turns to trust without giving any reason. What does it mean that trust here is an act of the will rather than a response to changed circumstances?
  6. Revelation 6:10 places Psalm 13's "how long" on the lips of martyrs under the altar. What does this New Testament echo say about the legitimacy of complaint within Christian devotion?
  7. The psalm names enemies in verses 2 and 4 but never describes them. How does the lack of specificity affect the way later readers can pray these verses?
  8. What is the relationship in Psalm 13 between hiddenness (God hiding His face) and presence, and how does the psalm hold both at once?
  9. Where in your own life have you been in the long stretch between complaint and trust, and how did you get from one to the other?
  10. If you were to pray Psalm 13 honestly this week, which of its three movements would feel most foreign to you, and why?

Read this psalm in another translation

The inline text above is the Berean Standard Bible (BSB). Open in a new tab to compare with a modern licensed translation: